My work considers the intersection of personal and collective histories, the poetics of migration, and the potentials of the archive as a site of violence and of reparation. My recent work merges text, print, performance, musical composition, and sculptural installation. The sculpted object, taken at its broadest definition, remains at the center of my practice.
Allegory of History (Palestine, 1948), 2025. Wood, ink, archival photographs on silk. Ruskin School of Art, University of Oxford, MFA Degree Show (Photo by Ian Wallman).
I studied sculpture at the Yale School of Art under Michelle Lopez and Martin Kersels (2015–2019); printmaking with Matthew Saunders at Harvard and Virginia Carbonelli in Rome (2021–2023); and casting at the Penland School of Craft (2024). In June 2025, I completed my MFA (Honors) at the Ruskin School of Art, University of Oxford, working under Oreet Ashery, Onyeka Igwe and Adham Faramawy. For more information on my time at the Ruskin, see here.
Still from Pontormo: Homage to a Deposition. Photograph by Alexandros Koutsogeorgas.
Untitled (Sea Lavender), archival photograph (on silk).
Paper Fence (detail), etching and engraving.
Paper Fence (install).
Memory of an Acre (risograph with archival photo).
My working portfolio may be found here.